Street Art 2004. Focus on UK.

London was the main focus of street art activity in 2004. But, also two pieces in Brighton and two in Somerset. There were only two pieces outside the UK in 2004, one documented in Berlin and another in Chicago. One of Banksy’s most iconic pieces goes up in Southbank: The girl with the red balloon.

Photos: “Wall and piece”.

THE WHITE HOUSE RAT. LIVERPOOL, 18 SEPTEMBER 2004

‘Whitehouse Rat’ by Banksy is probably the largest of his artworks, all categories, painted in broad daylight in Liverpool’s Chinatown. The artwork, which in its original form depicted a giant rat holding a marker pen, spanned nearly 200 square meters of a building that had previously housed the Whitehouse Pub, which quickly led to the piece being referred to by the press as ‘The Whitehouse Rat’.

The artwork was timed to coincide with the September 2004 Liverpool Biennial, which Banksy invited himself to, by painting a host of works throughout the city during the prestigious art fair.

Photo: TimS on Flickr

JUSTICE UNVEILED. LONDON, 4 AUGUST 2004

A few months later, on 4 August 2004, Banksy installed another massive sculpture in London; the figure of justice overlooking the Old Bailey in London – with US dollar bills stuffed into her garter and a plaque on the plinth saying: “Trust no-one”.

Photos: Art of the State – http://www.aots.co.uk

Flyer for the Justice Unveiled event:

THE DRINKER STATUE. LONDON, FEBRUARY 2004

In February 2004, Banksy installed a statue in Princess Circus, a small square in central London. The statue is called The Drinker, a caricature of Augustin Rodin’s famous sculpture, The Thinker. A few weeks later, the statue was stolen by self-proclaimed “art terrorist” Andy Link.

The Drinker by Banksy. Photo: The Guardian

JAMAICA AND CUBA. JANUARY, 2004

In early 2004, a group from Team Banksy went to the Caribbean together with DJ Jon Carter and filmmaker Rick Elgood. One of their hosts during the visit was Jamaican dancehall star Mark Anthony Myrie, a.k.a. Buju Banton. There is very little documented from the trip to Jamaica and even less from Cuba. The following collage with pictures of some of the work in Jamaica surfaced years later, when Steven Lazarides put part of his personal collection up for sale at Juliens in LA: 

Photo: From Lazarides / Julien’s

The Jamaican magazine/blog Afflicted Yard published a few photos in 2004 of Team Banksy at work in Jamaica:

Photo to the left: Rick Elgood, R, unknown and Buju Banton holding the sticker. Photo to the right: R sorting out the stencils

Santa’s Ghetto 03, London. December 2003

Santa’s Ghetto 2003 opened on 2 December in an abandoned store just off Carnaby Street in London. It contained work by Banksy, Jamie Hewlett, Mode 2, and 3D, among others. Described by Pictures on Walls as a “festive extravaganza of cheap art and related novelty goods from lowbrow artists and trained vandals”. The launch party attracted Damon Albarn of Blur, and star chef Jamie Oliver.

Photos: Wembley Pairs, Flickr

Multiple canvases

Santa’s Ghetto was a selling exhibition. Banksy sold a lot of canvases, mostly stencilled motifs in editions of 25, so-called ‘multiple canvases’, among them the iconic Girl with Balloon, also in an edition of 25. Some of the canvases that Banksy sold for £ 250 in 2003 now collect over a million pounds on the secondary market.

A few of the multiples sold at Santa’s Ghetto 2003:

Photos: Sotheby’s and Bonhams

Prank at Tate Britain. London, October 2003.

On 17 October, Banksy entered Tate Britain disguised as a pensioner and stuck one of his creations in a vacant slot on one of the gallery’s walls. After a few hours, the painting Crimewatch UK Has Ruined the Countryside For All of Us, crashed to the floor, and the stunt was discovered. In his own words:

“To actually go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up. It’s all about cutting out the middle man, or the curator in the case of the Tate. I’m kinda into the message that vandalising a painting with police tape is how a lot of people see the world these days. People don’t actually see the world with Constable’s eyes with hay and rivers any more. The amount of paranoia and fear about violent crime and paedophilia makes mine a more accurate drawing of the English landscape we actually live in.”

2003:10:17 - SA - UK - London - Tate - Police Line - Wall and piece p 169

The caption glued next to the painting read:

“This new acquisition is a beautiful example of the neo post-idiotic style. Little is known about Banksy whose work is inspired by cannabis resin and daytime television.”

Photo sequence from the incursion at Tate Britain:

Source: http://www.banksy.co.uk

Turf War, London. July 2003

The show opened on 18 July and lasted for three days. Turf War featured a wide range of genres, techniques, and styles. It marked the beginning of a string of brilliant exhibitions with an approximate two-year interval: Turf War in 2003, Crude Oils in 2005, Barely Legal in 2006, Banksy vs. Bristol Museum in 2009, etc. The London art critics called the exhibition one of the most interesting of the year.

Photos: Jonny Baker, Mike Pickard, http://www.artofthestate.co.uk and Benny Goh. The name of the photographer for each photo is visible if you click on the photo.

ITV recorded this interview from the exhibitions—one of the few documented footage of a member of Team Banksy:

BBC Radio also interviewed “the same” Banksy at the Turf War exhibition:

The interview can be heard here:

https://www.bbc.co.uk/sounds/play/p0gtsw3k

Paints live animals. Somerset, July 2003

Banksy went to a farm in Somerset to spray-paint live animals for his upcoming Turf War exhibition in London. Animal rights activists chained themselves to the railings surrounding the farm. “The cattle are show cattle donated by the farmer, and he was happy to lend them,” said a spokeswoman for the exhibition.

Photos: “Wall and piece” and http://www.banksy.co.uk

Street Art in UK. 2002 – 2003

Banksy focused on London in 2002 and 2003, but he also did a few pieces in Bristol and Brighton. The iconic work Pulp Fiction went up in 2002 on Old Street in Shoreditch, one of Banksy’s preferred areas in London. The Royal Guards in different areas of London are from the same period.

Anti-war demonstration, London. May 2003

Banksy participated at the big anti-Iraq war demonstration in London, where he distributed placards with different slogans written on them. One was, “I don’t believe in anything. I’m just here for the violence” .

Santa’s Ghetto 02, London. December 2002

Santa’s Ghetto was a “squat art concept store” set up at Christmas each year in different locations around London. The Dragons Bar in Shoreditch hosted the first edition. There were only Banksy and Ben Eine artworks.

Banging your head against a brick wall – Cargo Club, London. 22 June 2001

In the summer of 2001, Banksy organised an exhibition at the Cargo Club on Rivington Street. Cargo Club had opened in November 2000 and was built into the railway arches in the same spot as the Rivington Street railway underpass, where Banksy had done his first show in London the year before.

The exhibition featured a lot of the many unsold pieces from the Peace is Tough exhibition in Glasgow earlier that year. It also had various outdoor pieces in the courtyard.

At the same time, Banksy released a book, Banging your head against a brick wall, the first of a series of three small black books in A6 format. It has some surprisingly well-written texts along with images of his most prominent street art and originals. 54 pages in B&W. Some curious highlights:

Peace is Tough. Glasgow, March 2001

In March 2001, Banksy went to Glasgow to participate in an exhibition at The Arches, a club located under Glasgow Central Railway Station. The organiser and main attraction of the exhibition was anti-art world colleague Jamie Reid. According to several sources, Banksy’s pieces didn’t sell well, and they were taken back to London, where they appeared a few months later at the Cargo Club exhibition. Very little documentation remains.