News agency Reuters reveals part of Team Banksy. 13 March 2026

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In case you missed it, here is the link to the in-depth article by Reuters: https://www.reuters.com/investigates/special-report/global-art-banksy/

Reuters has done a thorough job investigating one particular person who jumped into the public domain in 2008 when the Mail on Sunday published his name based on a photo taken in Jamaica in January 2004. His name was Robin Gunningham, and, according to Reuters, he has since changed his name to David Jones. Steve Lazarides confirms that he helped Gunningham with a name change in 2008, before he and Banksy parted ways, without revealing Robins’ new name.

Another key finding is that Banksy travelled together with Robert del Naja, the Massive Attack frontman, to Ukraine in November 2022. A trip which resulted in seven now-classical street art pieces around Kyiv. Reuters reporters identified the new name “David Jones” by checking immigration records for the border crossing between Poland and Ukraine around the time of the street-art blitz in Kyiv. (One has to give it to Reuters; they are pros.) We already knew Robin Gunningham was a key player on the team, but now we know for sure, and it is interesting that he changed his name as early as 2008. Hopefully, he has changed it again to avoid the press hunting him down.

Anyway, the real merit of the Reuter investigation lies in the many small stories they tell along the way: the Kyiv adventure, the arrest in New York, the Carlton Arms, the ex-girlfriend, the shredding at Sotheby’s, etc. This is gold for any hardcore Banksy fan.

Anonymity: Banksy’s body of work is outstanding, and its artistic value doesn’t depend on anonymity. He will make it into the history books as the most important artist of the early 21st century. Like no other artist, Banksy has created an enormous narrative in which his anonymity is just one small element. Banksy’s artistic risk-taking in creating this narrative is unprecedented in today’s art world. If Banksy decides to distance himself from the celebrity cult, it’s his decision, and he surely has many reasons to do so. Is he obliged to transparency and scrutiny just for being one of the most influential artists of our time? Let’s leave that question for another forum.

Banksy business: As we explained on this blog before, if we look beyond the street art, Banksy is not very different from any other big artist today. He creates artwork in his studio, which he sells to his collector base, his primary market. That’s how he makes money, and nothing wrong with that. A subversive artist also needs to eat. The secondary market is different: Banksy doesn’t make money on the buying and selling of Banksy studio artwork at auction houses or between collectors and art dealers. Every year, approximately 300 Banksy studio artworks are sold at auctions in London. These sales are made between collectors, and Banksy has no part in them. Banksy does get an ARR (Artist Resale Rights) of 2-4% on these auction sales, depending on the hammer price. He also indirectly benefits from the auctions: when prices rise, Banksy can charge more for new artwork when he sells to his collector base. That’s how it works for most living artists. So, it shouldn’t be a surprise that Team Banksy is a million-pound business and several of the key players are well off. Why shouldn’t they be? It’s well-earned money from 30 years of hard work. What differentiates Team Banksy from other big-revenue artists is that a lot of money is donated to various charity projects. Credit to Reuters for mentioning the many charities in the article.

One person or a team: Reuters focuses on Banksy as a one-man show with some helpers. Robin / David is definitely a part of it, but how do we know that he is the top dog? Banksy’s peers – for example, Damien Hirst or Jeff Koons – are cultural enterprises with up to 40 people on the payroll. Craftsmen, logistics, marketing, accounting, PR, etc. Given that Banksy is a similar operation, how do we know that Robin / David is one of the top dogs? Most likely, he is, but we don’t know the exact pecking order. And, do we really want to know?

Some of the individuals who have collaborated with Banksy doing street art over the last 30 years are known: Ben Eine, James Ame, Robert del Naja (aka 3D), and John Tsombikos (aka Borf), to name a few. Additionally, we also know some of the people who participated in doing the studio work. The scope of Banksy’s body of work is enormous to say the least – street art, oil on canvas, sculptures, installations, pranks, organising art shows, books, film production, and even a hotel. In today’s art world of one-trick ponies, it’s difficult to imagine Banksy’s creative core as a one-man show; it could also be a committee. The only thing we know for sure is that we don’t know.

The conclusion is that Reuters has only revealed a small part of the story, and there is so much more to it. And, do we really want to know?

There are some minor inaccuracies in the article. Two examples: 

1) Reuter writes: “David Jones also is the given name of David Bowie, whose Ziggy Stardust alter ego inspired a Banksy portrait of Queen Elizabeth.”

Queen Elizabeth by Inc Well. Bristol, 2012.

The Queen Elizabeth piece from 2012, which Reuters refers to, with makeup in the style of Bowie’s Aladdin Sane, is not by Banksy – it was done by another artist, Inc Well. 

2) The following picture from the Reuters article is from the Turf War exhibition in 2003. Reuters refers to the paintings as “Crude Oils” in the text below the photo: “Another common feature of Banksy’s work is the use of détournement, the practice of altering and transforming an existing piece of art. In his “Crude Oils” series, Banksy added stenciled outlines of contrasting scenes on top of traditional landscapes”.

Two years after Turf War, Banksy held the Crude Oil exhibition in London, where they exhibited versions of masterpieces painted from scratch by the Banksy team. After the Crude Oil exhibition in 2005, the Crude Oil concept applies only to those 2005 paintings and does not extend to doctored charity-shop paintings – the so-called “corrupted oils”.

Fake news: 

As a result of the Reuters article, many low-quality media outlets are circulating the following photos (Reuters are not to blame) as recent photos of Banksy:

The person is 100% NOT Robin / David. The guy in the photo is a proud 67-year-old from a Greek-Cypriot family, living in northern London. He happens to be the father of the owner of the building in Finsbury Park, where Banksy painted a pruned tree in March 2024. His photo was taken while he was putting up protection on the recently painted street art. 

Two identical murals confirmed in London. 22 December 2025

After two days of speculation, Banksy confirmed the murals on his Instagram on Monday afternoon. The artwork depicts two children lying flat on the cold pavement, wearing thick coats, winter boots and caps. One of them is pointing upwards, maybe at the North Star?

It follows Banksy’s long tradition of Season’s Greetings; “The boy with the sledge” from Port Talbot in 2018, “Homeless Ryan” from Birmingham in 2019, etc. 

The same motive has been stencilled at two locations: One in front of the Centre Point Tower in Central London and another identical on top of a row of garages in Queen’s Mews in West London. 

The first one was spotted on Saturday, 20 December, in front of the Centre Point Tower on New Oxford Street. Photo: BBC

The second one, on Queen’s Mews, a few blocks north of Hyde Park, was confirmed by http://www.banksy.co.uk on Monday, 22 December. Photo: @banksy

The placement at the Centre Point Tower has particular significance. As reported by the BBC on 22 December:

Speaking about the Centre Point mural, artist Daniel Lloyd-Morgan told the BBC said he believed the location was chosen to make a point about child homelessness. 

“Everybody is having a good time but there are a lot of children who are not having a good time at Christmas,” he said.

Mr Lloyd-Morgan said that people walking past the artwork were “ignoring it”, adding: “It’s a busy area. Quite poignant that people aren’t stopping. They walk past homeless people and they don’t see them lying on the street.”

“It’s kind of like they’re stargazing,” he said. “It’s quite fitting that the kids are pointing up like they’re looking at the North Star.”

Banksy enthusiast Jason Tomkins, said he also believed it was a “clear statement on homelessness”.

The Centre Point tower, at 101-103 New Oxford Street, has been a historic focal point for housing protests.  Originally built as an office block in 1963, the Centre Point tower next to Tottenham Court Road underground station, remained unoccupied for over a decade, angering social justice campaigners.

The homelessness charity Centrepoint was named as a response to the building by founder Rev Ken Leech, who described the tower as “an affront to the homeless”.  The block has since been converted into multimillion-pound luxury flats.

Banksy has not commented on the relevance of the location for either of the new works.

Source BBC: https://www.bbc.com/news/articles/c62d16q93x4o

Never before seen Banksy sculpture at Pure Evil show in London. 20 November 2025

The sculpture is on display at Artmageddon, a group show at Pure Evil Gallery on Leonard Street in Shoreditch. 

Banksy gifted the bouquet to Charles Uzzel Edwards, a.k.a. Pure Evil, after having suffered a personal loss in 2024. Pure Evil and Banksy’s working relationship goes way back – Pure Evil was involved with Pictures on Walls and the Santas Ghetto exhibitions. He was also one of the invited artists at the Cans Festival, a collective street art exhibition organised by Banksy in May 2008. 

Photo: Pure Evil Gallery

Judge beating fallen protester. London, 8 September 2025

A new piece by Banksy was unveiled today at the Royal Courts of Justice, in the heart of London. At first glance, it looks like a version of his Crazy Hippies from Glastonbury 2010. But this time it’s a judge beating a fallen protester with his gavel while the CCTV camera is looking in the other direction. Given the piece’s location—at the UK’s highest court, in the very centre of London, surrounded by surveillance and security—one might suspect that team Banksy was in a rush to complete the work.

The artwork is most likely Banksy’s comment on the mass arrests of 890 non-violent protesters on Saturday, 6 September. BBC did a feature on the piece: https://www.bbc.com/news/articles/cgrq0r0y878o

Photos: http://www.banksy.co.uk

The CCTV camera turned away.

Day 9 of London residency: Great escape at London Zoo. 13 August 2024

Now we know where all the animals came from. The animal kingdom series obviously has a lot to do with the summer riots in London in the previous weeks. One can discern a stoic approach: nature is the only true force, and when you encounter adversity, face it with resilience, humour, and a charitable spirit. 

Photos: http://www.banksy.co.uk

BBC News did a feature on the Animal Kingdom series:

Day 6 of London residency: chained leopard in Cricklewood, northern London. 10 August 2024

The leopard is doing the morning stretch while sharpening the claws on a scratching post. Someone might say it’s a panther, but isn’t the panther just a leopard with black fur?

Photo: http://www.banksy.co.uk

Anyway, there are quite a few leopards in the Banksy imagery:

Banksy’s handling office, Pest Control, issued a statement on the meaning of the London series of animals:

“The artist’s vision is ­simple: the latest street art has been designed to cheer up the public ­during a period when the news headlines have been bleak, and light has often been harder to spot than shade. Banksy’s hope, it is understood, is that the uplifting works cheer ­people with a moment of unexpected ­amusement, as well as to ­gently underline the human capacity for ­creative play, rather than for destruction and negativity. Some recent theorising about the deeper significance of each new image has been way too involved, Banksy’s support organisation, Pest Control Office, has indicated.”

Source: https://www.theguardian.com/artanddesign/article/2024/aug/10/meaning-new-banksy-series-revealed-latest-london-artwork

The London residency continues with a howling wolf in Peckham. 8 August 2024

This is the fourth day of some kind of series, and we don’t really know how it’s going to unfold. Very exciting!! Like previous days, it’s a one-colour, one-layer stencil of creatures from the Animal Kingdom trapped in the urban landscape. The timing of the posts is also worth mentioning: it’s always 1 p.m. sharp on his Instagram, @banksy.