British judge rules that Banksy can remain anonymous. 8 December 2023

It’s an important twist in an ongoing legal battle between Team Banksy and Full Colour Black (FCB) – a licensing company specializing in popular images for international retailers.

As reported by The Sunday Times on 8 December 2023:

Banksy draws on century-old convention to remain anonymous

The street artist is being sued for defamation but is seeking to maintain his anonymity through a convention from 1886

This week the artist filed an application for anonymity with reference to the Berne Convention, and three other arguments: that his work will become less valuable, that he will no longer be free to criticise others — especially those in power — and that his family will come under increased scrutiny.

A judge has ruled that Banksy can remain anonymous in defamation proceedings after the controversial street artist relied on a 19th-century treaty to remain masked. In the latest development of a £1.4 million claim brought by a greeting cards publisher over a social media post from Banksy, Mr Justice Nicklin gave a boost to the artist’s defence on Friday.

To maintain Banksy’s anonymity, the artist’s legal team had relied on a dusty treaty drafted more than 100 years ago in Switzerland to protect the copyright of artists. While Banksy’s lawyers relied on three other arguments to maintain his anonymity, it is his reference to the Berne Convention that his lawyers found most legally appealing.

Enrico Bonadio, a reader in intellectual property law, said that while the Berne Convention focused on copyright law, it could be interpreted as giving legal backing to anonymity for artists in a range of civil proceedings. However, he said the matter was a “grey area” in law that would need to be decided by the courts.

Andrew Gallagher and his company Full Colour Black (FCB) have filed a lawsuit accusing “the artist known as Banksy” of defamation, with the co-defendant named as Pest Control Ltd, the company that sells his artwork. In written submissions, Gallagher’s lawyers have stated that he “reserves the right to seek an order that [Banksy] identifies himself for the purposes of these proceedings”. Gallagher has the option open to him to make an application to remove the artist’s anonymity. His company, Brandalised, licensed a photograph of Banksy’s work to the fashion retailer Guess last autumn for use in its Regent Street shop window.

In a now-deleted post made on November 18, Banksy’s Instagram account, which has 12 million followers, used an image of a Guess shop window with the words: “Alerting all shoplifters. Please go to GUESS on Regent Street. They’ve helped themselves to my art without asking. How can it be wrong to do the same to their clothes?

The disputed post on Banksy’s Instagram, with the alleged defamation. Photo: @banksy

In its High Court claim, FCB, the trading company of Brandalised, alleged that it “contained defamatory words which referred to, and were understood to refer to, the claimant”. Now FCB is seeking damages and an injunction preventing further alleged defamation.

“[Banksy’s] post, by way of innuendo, meant and was understood to mean that the claimant had stolen Banksy’s artwork by licensing images to Guess without permission or other legal authority,” argues the company in its claim.”

Source: https://www.thetimes.co.uk/article/banksy-draws-on-century-old-convention-to-remain-anonymous-8svdzx5h8

Another trademark setback for Banksy. 19 May 2021

The EU’s trademark court, EUIPO (European Union Intellectual Property Office), ruled against Banksy’s struggle to protect his iconic images from being reproduced on shoddy merchandise.

The present case was about the Laugh Now image, which Banksy’s handling agent, Pest Control Office (PCO), registered as a trademark in November 2018. A year later, a UK-based greeting card company, Full Colour Black Limited, applied for the cancellation of the trademark. EUIPO has now ruled in favour of the greeting card company and decided that the Laugh Now trademark is “invalid in its entirety.” In September 2020,  EUIPO invalidated Love is in the Air (or Flower Thrower) as a trademark. And there are more trademark disputes to come.

The main argument in the ruling is that a trademark holder must actively market and sell products with the trademark. EUIPO considers that Banksy and PCO haven’t done that: “From an examination of the evidence filed by both parties, it would appear that at the time of filing of the application for invalidity, the proprietor (or Banksy) had never actually marketed or sold any goods or services under the contested trademark.” Banksy’s GDP, a selling exhibition in Croydon in October 2019 ( www.grossdomesticproduct.com ) was an attempt to prove to the EUIPO that Banksy does indeed sell products under the disputed trademarks. But the EUIPO considers the GDP exhibition a way to circumvent the law and not a genuine effort to sell trademarked goods.

The greeting card company didn’t waste much time after the EUIPO ruling. Screenshots from www.fullcolourblack.com

In one section of the ruling, EUIPO shows an evident lack of knowledge: the EU’s trademark court alleges that Banksy “for the most part paints graffiti on other people’s property rather than to paint it on canvases or his own property”. What about the 1000+ studio pieces? Many of them are canvases. Or the printmaking, the art shows, the pranks, and the whole narrative?

Extract from a section of the EUIPO ruling where they show a real lack of knowledge